Preparation refers to the tasks that need to be completed before any filming can take place. Script breakdowns are usually broken down into three sections: This can be anything from props, costumes, locations and actors.Ī script breakdown is listed in order of importance and provides an indication to the production manager or director as to what they need to shoot.
Tasks are broken down into three categories: main (M), supporting (S) and extra (E).Īll tasks should be defined as precisely as possible so that all parties involved in the production are clear about their responsibilities, no matter how small.Ī Script Breakdown is a list of the elements that are required to make a film. They’re not always easy to find either, but they’re in every script.Ī hidden element is any line of dialogue or narrative description that contains information, which must be included in the shot list or production schedule, but does not necessarily yield a visible on-screen object. Her recent films MIDNIGHT TRAVELER premiered at the 2019 Sundance Film Festival and HALE COUNTY THIS MORNING, THIS EVENING, which won Best Documentary at the 2018 Gotham Awards, and was nominated for an Academy Award for Best Documentary.Hidden Elements In a Script Breakdown What Are hidden elements In A Script Breakdown?
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She is the producer of FREE CHOL SOO LEE that premiered at 2022 Sundance Film Festival. Su received the Sundance Institute | Amazon Studios Producers Award in 2021. Su Kim is a documentary producer in New York City and a 2015 Women at Sundance Fellow. Tsien is a recipient of the 2018 Art of Editing Mentorship Award presented by Sundance Institute a Lifetime Achievement Award at DOC NYC’s 2020 Visionaries Tribute and the 2021 IDA Pioneer Award. She produced FREE CHOL SOO LEE, which premiered at the 2022 Sundance Film Festival.
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She received two Peabody Awards in 2021: for executive producing the PBS series ASIAN AMERICANS and for producing 76 DAYS, winner of a 2021 Primetime Emmy. Jean Tsien is a documentary editor, producer, and consultant. Her recent co-productions have won numerous international awards including Best Documentary at the Berlin International Film Festival for MYANMAR DIARIES (2022). Through Ten Thousand Images she produced NO WORD FOR WORRY (2014) and NOWHERE TO HIDE (2016), which won over 20 awards including the first prize at IDFA, and was nominated for 2 Emmys. Mette Cheng Munthe-Kaas is an Emmy-nominated and award-winning producer, interactive producer and editor of feature documentaries.
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She directed and hosted several popular TV documentary programs such as “The Bund” and “Documentary Editing Room.” She started her career at Shanghai Media Group in 1991, where she directed and produced many television documentaries affiliated to the Documentary Channel of SMG. Zhao Qing is the director of the award-winning PLEASE REMEMBER ME, supported by the Sundance Documentary Fund, IDFA Bertha Fund and the Britdoc Connect Fund. HIDDEN LETTERS is her second feature-length documentary as a director. She is the consulting programmer of Shanghai International Film Festival. Feng started her career as a co-producer on the 2007 award-winning NANKING. She produced DEAR MOTHER, I MEANT TO WRITE ABOUT DEATH, SINGING IN THE WILDERNESS, CONFUCIAN DREAM, MAINELAND, and PLEASE REMEMBER ME, which have won many awards including Doc Impact Hi5, Special Jury Awards at SXSW and Karlovy Vary International Film Festival. Violet Du Feng is a documentary filmmaker and a 2018 Sundance Creative Producing Fellow.
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